38th PIA FILM FESTIVAL

38th_PFF_TOKYO_WEB_mini

Pia Festival Highlights Vintage 8mm Work

Venue(s): National Film Center
September 10 to September 23, 2016
Language: Japanese with English subtitles
Official website: pff.jp/38th/
Tariff: Hachimiri Madness: General:¥1,500 / Collleage students: ¥1,100 / H.S. Students: ¥520 / Seniors: ¥1,100 / PIA members: ¥1,200
Advance tickets: Hachimiri Madness: ¥1,200
Talk event: Talk event after each screening

Title: 第38回 PFF (Dai 38 Kai PFF)

Although it flies below the radar of many Japan-based foreign audiences because it doesn’t screen its Japanese lineup with English subs, the venerable Pia Film Festival (PFF) — now in its 38th year — has discovered and nurtured hordes of Japan’s now-acclaimed directors. PFF is a favorite with overseas indie film festivals, since Pia staff devote extraordinary efforts to making sure their winners receive screenings abroad.

Happily, we locals finally get to see a rich lineup of English-subbed Japanese titles at his year’s PFF, which is featuring a special section with early 8mm Japanese punk films. Dubbed Hachimiri Madness – Japanese Indies from the Punk Years, and co-curated by Pia Director Keiko Araki, Jacob Wong (Hong Kong Film Festival) and Christoph Terhechte (Berlinale Forum), the must-see selection premiered in February at the Berlin Film Festival.

The newly digitized works date from 1977 to 1990 and represent the groundbreaking early works of some of today’s highest profile directors, such as Sion Sono, Shinya Tsukamoto, Sogo/ Gakuryu Ishii, Masashi Yamamoto, Nobuhiro Suwa and Shinobu Yaguchi. These little-seen (at least internationally) films include Sono’s I am Sion Sono!!, in which the then 22-year-old proclaims himself a punk poet; Tsukamoto’s cyberpunk precursor to Tetsuo, The Adventure of Denchu-Kozo; Yamamoto’s Saint Terrorism, in which a brightly dressed girl shoots innocents with a gun concealed in her handbag; and Yaguchi’s The Rain Women, in which two gals ride their bikes through a convenience store, wander around a sodden landscape and warble “Singing in the Rain.”

Of course there are many other treats in the Pia lineup, so be sure to check out the festival website. But for Tokyo Filmgoer, Hachimiri Madness it is. We hope to see you there!

Here’s the full Hachimiri Madness: Japanese Indies from the Punk Years lineup:

花道
A Man’s Flower Road by Sion Sono, Japan 1986
電柱小僧
The Adventure of Denchu-Kozo by Shinya Tsukamoto, Japan 1988
GANG
Happiness Avenue by Katsuyuki Hirano, Japan 1986
街角
Happiness Avenue by Katsuyuki Hirano, Japan 1986
HIGH-SCHOOL-TERROR
High-School-Terror by Macoto Tezka, Japan 1979
園子温
I Am Sion Sono!! by Sion Sono, Japan 1984
1:880000
The Isolation of 1/880000 by Sogo Ishii, Japan 1977
雨女
The Rain Women by Shinobu Yaguchi, Japan 1990
Saint Terrorism by Masashi Yamamoto, Japan 1980
東京白菜
Tokyo Cabbageman K by Akira Ogata, Japan 1980
UNK
UNK by Macoto Tezka, Japan 1979

National Film Center

 

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Although it flies below the radar of many Japan-based foreign audiences because it doesn’t screen its Japanese lineup with English subs, the venerable Pia Film Festival (PFF) — now in its 38th year — has discovered and nurtured hordes of Japan’s now-acclaimed directors. PFF is a favorite with overseas indie film festivals, since Pia staff devote extraordinary efforts to making sure their winners receive screenings abroad.

Happily, we locals finally get to see a rich lineup of English-subbed Japanese titles at his year’s PFF, which is featuring a special section with early 8mm Japanese punk films. Dubbed Hachimiri Madness – Japanese Indies from the Punk Years, and co-curated by Pia Director Keiko Araki, Jacob Wong (Hong Kong Film Festival) and Christoph Terhechte (Berlinale Forum), the must-see selection premiered in February at the Berlin Film Festival.

The newly digitized works date from 1977 to 1990 and represent the groundbreaking early works of some of today’s highest profile directors, such as Sion Sono, Shinya Tsukamoto, Sogo/ Gakuryu Ishii, Masashi Yamamoto, Nobuhiro Suwa and Shinobu Yaguchi. These little-seen (at least internationally) films include Sono’s I am Sion Sono!!, in which the then 22-year-old proclaims himself a punk poet; Tsukamoto’s cyberpunk precursor to Tetsuo, The Adventure of Denchu-Kozo; Yamamoto’s Saint Terrorism, in which a brightly dressed girl shoots innocents with a gun concealed in her handbag; and Yaguchi’s The Rain Women, in which two gals ride their bikes through a convenience store, wander around a sodden landscape and warble “Singing in the Rain.”

Of course there are many other treats in the Pia lineup, so be sure to check out the festival website. But for Tokyo Filmgoer, Hachimiri Madness it is. We hope to see you there!

Here’s the full Hachimiri Madness: Japanese Indies from the Punk Years lineup:

花道
A Man’s Flower Road by Sion Sono, Japan 1986
電柱小僧
The Adventure of Denchu-Kozo by Shinya Tsukamoto, Japan 1988
GANG
Happiness Avenue by Katsuyuki Hirano, Japan 1986
街角
Happiness Avenue by Katsuyuki Hirano, Japan 1986
HIGH-SCHOOL-TERROR
High-School-Terror by Macoto Tezka, Japan 1979
園子温
I Am Sion Sono!! by Sion Sono, Japan 1984
1:880000
The Isolation of 1/880000 by Sogo Ishii, Japan 1977
雨女
The Rain Women by Shinobu Yaguchi, Japan 1990
Saint Terrorism by Masashi Yamamoto, Japan 1980
東京白菜
Tokyo Cabbageman K by Akira Ogata, Japan 1980
UNK
UNK by Macoto Tezka, Japan 1979

National Film Center

 

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